There’s a man riding in on a donkey

Today’s hymn from Sing Praise is, unusually for this hymn book, one intended mainly for children. “There’s a man riding in on a donkey” is a telling of the Palm Sunday story set to the tune of an established favourite baptism song, “give me oil in my lamp”. This is no doubt because the chorus of the original – “Sing hosanna to the King of Kings” – is the chant always associated with Palm Sunday, as sung by the crowds welcoming Jesus into Jerusalem.  (incidentally, I didn’t bother to write a blog post for yesterday’s song, as the words of ‘Sanna Sannanina’ are just that, ‘Hosanna’ in an unspecified ‘South African’ language).

The words of the verses explain simply that this “man riding in on a donkey” is in fact a king, but (verse 2) “why a king wearing no fine crown? Where the drums, where the high-sounding cymbals if a king is riding into town?” The question isn’t really answered in the text of the song, as verse 3 moves straight to “the joy of the news he brings” and proclaiming Jesus as “the Son of the Highest, the King of Kings”.

Why is the question not answered?  Because this Sunday’s theme is seen as more accessible to children than the rest of the events of Holy Week and those who write songs or plan services want to keep things simple and happy for their sake.  The correct answer to “why a king wearing no fine crown?” is around the understanding of leadership that Jesus demonstrated, leadership that is not only humble and willing to serve those he leads, but even to die for them.  It’s easier to have songs and activities around someone riding a donkey and others waving greenery and singing “hosanna!” than it is to arrange something age-appropriate around the arrest, trial, torture and death of an innocent man. 

Even many adult Christians find it easier to stick to the joyful themes of Palm Sunday and Easter morning and pay less attention to the events in between. Clergy often complain how few people turn up for Maundy Thursday footwashing and Good Friday reflections – even though Friday is still a public holiday, even in our largely secular society, and most people will have the day off work.  It takes more of an effort to enter into the sombre mood of the days leading up to the Crucifixion, all the more so when that secular society is unaware.  I heard someone in a Zoom meeting yesterday telling of the shock he felt at the contrast between the silent reflection of a Holy Week retreat, and the busyness and jollity of the crowds he found back in town when it ended on Good Friday evening. 

But it was no different in Jesus’ day – the crowds had gathered in Jerusalem for Passover and most of them were probably there for the jollity, to meet up with friends and relations, to take part in the Passover meal where I expect more than a few sips of wine were drunk to celebrate the people’s freedom.  But you can’t celebrate Passover properly without remembering the slavery from which the Hebrews were freed, and you can’t celebrate Easter properly without having remembered the tragic events leading up to it.

You are the king of glory


The Triumphal Entry. Albert Decaris, 1953

For today’s choice from Sing Praise, I’m going back a bit in terms of the liturgical calendar, from Maundy Thursday to the preceding Palm Sunday (this forthcoming Sunday).  However, the chosen song, “You are the king of Glory” by Mavis Ford, was not necessarily written with Palm Sunday in mind – there are no references to Jerusalem, palms, disciples or donkeys here, and it is probably only because the of the chorus “Hosanna to the Son of David” that the compilers of the hymn book have put it in this section. 

The song is very familiar to me.  It is dated 1978, and as a contemporary worship song was popular with the Christian Union that I attended 1981-1983.  It hasn’t completely disappeared from the repertoire since then, although perhaps not often chosen as there have been countless other worship songs written since.  I suggest that the factors that have allowed this one to remain in later collections where other 1970s songs have been forgotten are its easy singability, and that it consists largely of Biblical titles for Jesus, that mean Christians of whatever age and tradition are comfortable with its words.

The titles, then.  In this song of praise to Jesus, he is referenced as King of Glory, Prince of Peace, Lord of heaven and earth, Son of righteousness, Son of David, King of kings and Messiah.  That’s a Biblically pleasing seven titles for him, and in addition he is credited with being worshipped by angels and his reign resulting in glory in the highest heaven. 

Singing the praises of Jesus is a good warm-up for any act of worship, a reminder that the one in whom we put our trust is no mere prophet or teacher, but very God and the one the Jewish people had long awaited.  Lent is known mainly for more reflective, sombre songs as we look towards the horrors of the Cross, but Palm Sunday is a joyful interlude when it’s appropriate to sing upbeat songs of praise like this one, just as Jesus’ followers did when he entered the gates of the holy city to their chants of Hosanna!