O Adonai: How shall I sing that majesty?

Nativity window, Whalley St Mary & All Saints (detail)
Artist Christopher Whall, photo (c) Stephen Craven

Today’s hymn from Sing Praise is ‘How shall I sing that majesty?’ by John Mason. I have heard or sung this often, and assumed it was modern (probably because the usual tune, as printed in the book, is). But in fact it seems the words date from the 17th century, though surprisingly they are nearly all words and phrases still in use today.  The exceptions are the archaic pronoun ‘thy’ and the reference to sounding depths with a [plumb] line. John used a different tune in his video, but personally I prefer ‘Coe Fen’ as provided.

This is the day of the second ‘O antiphon’, this time ‘O Adonai’, that being one of the Jewish names for God, the one usually rendered as ‘Lord’ in English Bibles  (or sometimes by the letters YHYW – see an explanation here) and referring to the one beyond our sight and knowing.   So I picked this hymn which addresses God in his majesty in heaven.

The hymn picks up imagery from the book of Revelation, as well as other parts of the BIble, to imagine God’s angels constantly singing his praises around his throne, as they see his face, behold his brightness and understand his whole being.  We on earth, by contrast, for all our natural and artificial light cannot see the light of God and are spiritually cold and dark, unable to praise God properly.  We ask him to enlighten us with faith and love, the only things that can stir us up into praise. 

These same ideas lie behind the Christmas story with the angels dazzling the shepherds and the heavenly light guiding the magi. Illustrations of the manger in Bethlehem often portray a warm glowing light around the child, or around the whole stable, while it is night outside.  Our God comes to us in ways that show us the right way and warm our hearts to respond to him in song like the angels.

The illustration is a detail of a stained glass window in the south aisle of Whalley parish church, Lancashire, by the arts-and-crafts designer Christopher Whall. It depicts Mary with the infant Jesus and two angels.

The Bible in a Year – 12 August

If this is your first viewing, please see my Introduction before reading this.

12 August. Job chapters 24-28

Nearly all of today’s long reading is attributed to the mouth of Job. Bildad only gets a quick word in! Bildad (in chapter 25) and Job (in 26/27) agree on one thing: God’s majesty is unknowable, he is high above mankind (metaphorically speaking) and we have now way of ever understanding all his purposes.  But they draw different conclusions: Bildad thinks that humans therefore can never be right with God, and must suffer the consequences.  Job, on the other hand, sees God’s majesty as all the more reason to seek to find righteousness in him, and know him as best we can.

Before this exchange, Job paints a clear picture in chapter 24 of the harsh injustices of the world, the suffering of the oppressed and the apparent impunity of the wicked. Afterwards, in chapter 28, he contrasts wisdom with the metals and precious minerals that miners seek: with great difficulty they find riches in the earth, but no-one can find wisdom on earth, for it comes only from God.  It is with these worldviews – God as the only source of wisdom, and the injustice of life on earth – that Job can insist that people can find their righteousness in God, even though we can never know him fully. It is better to be on his side, even though we suffer in this life, than to give up the struggle to be good, and end up being wiped out of God’s memory like the wicked.