The call of the lamb

A brief diversion today from my 2021 “Sing Praise” project. On most Saturdays I haven’t selected a hymn or song although that will change shortly when we get to Lent. But today I took part in an online ‘quiet day’ with a couple of devotional talks, group discussion and times for personal prayer, all focused around the themes of ‘lament’ and ‘praise’ found in Psalm 57, which is believed to have been written by David in a cave while being pursued by his rival Saul.

The idea of being stuck in a cave fearing what’s outside obviously resonates with the Covid-19 lockdown. After the first session on ‘lament’ we were encouraged to take the words and themes of the psalm and come up with something creative – words, music, art or craft. My meditation resulted in the following poem. It was inspired by the photo shown here on the handout for the day. The viewer is looking out from the narrow cave and there is a sheep looking in. Jesus is referred to as both the Shepherd and the Lamb of God, and that is the poem’s starting point…

Look up, look out from your death-dark cave
And see me standing here.
You are not alone when you mourn and moan,
I have come to allay your fear.

Did you think I would stay in those pastures green
On the other side of the dale?
No, with sure-footed skill I have climbed your hill
To hear your woeful tale.

The enemy shall not find you here,
Nor lions enter your cave.
For I suffice as the sacrifice,
It is I who have come to save.

The Most High God comes down to earth
As a gentle, listening lamb.
I heard you bleat, and have come to meet
You where you are.  I Am.

© Stephen Craven 2021
Written on a Scargill virtual quiet day with Revd Mat Ineson, 6 February 2021

The Bible in a Year – 18 August

If this is your first viewing, please see my Introduction before reading this.

18 August. Song of Songs chapters 1 to 8 (entire book)

 

This book, also known as the Song of Solomon, has always intrigued readers of the Bible.  Is it merely erotic poetry? Or is it intended as an allegory of something else? One interpretation is that the male lover and his female beloved represent respectively the Word of God and the divine Wisdom (or Holy Spirit), in which case this is about the loving nature of God himself as expressed in the relationships within what Christians call the Holy Trinity. Another version of this allegory is that the lover and beloved represent Christ and the Christian Church.  Given that it is not at all certain that Jesus intended to form a new religion, that seems unlikely.  Another view is that that the desire between the lovers represents the passion with which God seeks to bring individuals to himself, and with which the true believer in turn seeks intimacy with God.  That makes more sense to me.

 

The refrain “do not arouse or awaken love until she so desires” can likewise be taken literally, as an understanding that feminine sexuality is more complex than the masculine equivalent, more in need of being wooed and seduced.  Or, taking the allegorical view, it might mean that each of us has a “right time” in our lives at which we will respond to God’s loving call. To try and force religion on someone who is not ready for the divine love is like trying to seduce a girl who is not yet ready for a relationship with a man.

 

Whichever way you like to read it, it remains one of the most beautiful of love poems, a reminder that the human body is something to be celebrated and admired, and not to be ashamed of.

 

 

 

Thoughts on the Thurso line

This is a little extra, pulled from a backup disk to be shared with the Geograph community.  Also for anyone else to enjoy, but as always please respect copyright ☻

This is a poem that I wrote over 20 years ago, inspired by a wonderful train journey through the highlands of Scotland.

Thursday Thoughts on the Thurso Line

( 18 July 1996)

 

I took a trip, one summer morning fair,
Along the line to Scotland’s northern strand :
A journey full of history and views,
Of people and their impact on the land.

At Inverness, the Highland Railway’s home,
Three plaques within the station now recall
The challenges that people faced before
To make this journey easy for us all :
To him who built the line so long ago,
One Murdoch Patterson, the Engineer;
To men who struggled through the winter snow
To keep the line across the mountains clear;
And one plaque notes rebuilding of a bridge,
Just six years back, that floods had swept away,
Reminding that the story of this line
Can still be written in our time today.

The Duke of Sutherland’s stone statue stands
high on the top of Beinn a’ Bhragaidh hill.
Another of his ilk helped build this line,
Their castle has its own fine station still.
And one Duke built a castle for his wife,
At Carbisdale close by the Dornoch Firth;
That castle’s now a hostel for the youth
Of many lands : the finest on the earth ?

Along the track the flowers seem to thrive –
In summer bloom, wild roses, pink and white,
With yellow broom, and here and there a glimpse
Of rhododendron, purple in the light.
And higher up where flowers fade away
The line runs through the fir plantations’ green;
When even they are beaten by the clime
The tracts of fern still keep the verdant scene.
Until at last, with valleys left behind
The Floe’s expanse of peat and moss comes on
And wilder still and wetter grows the land
Till burn and loch and bog all merge as one.

At one time all this land belonged to those
Who tried to eke a living from the moor :
The common men and women of the past
Whose deeds are told in Gaelic song and lore.
The Clearances drove out these local folk,
The old proud clans were forced to leave and wail;
They left the empty houses to decay,
With just a few stone walls to tell the tale.

But farmers still can make a living here
With help from Brussels’ welcomed C.A.P.
Without it there would be no cause to stay
And work the land : what would the Highlands be?
And catching fish engages other men:
Two boys stood on the harbour wall to learn
With rod and line; and high up in the hills
The patient salmon-fishers by a burn.
Once, long ago, the fishing boats would sail
From every little harbour far and wide,
But fishing is a big-ship business now,
With small boats rotting high above the tide.

But man is not the master of this land :
This wilder country is the proper lie
Of rabbits, running scared into their holes,
And deer who stand and watch the train go by.
The animals that man has introduced –
The cows, the sheep, the horses in the fields –
Outnumber far the people in the crofts
Who try to farm this land with meagre yields.
Cows graze the lowland grass while summer lasts
And need not fear this year the butcher’s knife,
For though they’re sane, mad humans fear to eat,
Lest eating prime Scotch beef should cost their life.

The moss gives way once more to fertile land,
And walls and homes and roads are seen again.
The Northern coast comes into view at last,
The train returns us to the world of men.
In Thurso there is little time to spare
Before the train wends down its single track :
I go down to the harbour and I know
Ere many years have passed, I will come back.

© Stephen Craven 1996